sculpting the inevitable part two

The design is almost complete. I have a strong cover suitable to the content. It frustrates me that progress is slow, the task a constant battle of trial and error. Will the Canford Snow White complete the look? Print quality must be the staple, everything else is secondary. The book consumes me.

Below are images and notes documenting the design process in hand with noted whims and additional research. My mind skips from one to the other, always looking for the next project. Also present is a list of local book binders that I've been encouraged to approach as they may be able to offer advice on materials, or even create a final piece beyond my own ability. Though I am sceptical of the costs entailed, the book is the key and a professional finish is desirable. If I am unable to sculpt it myself I may pursue these avenues.

I've been encouraged to approach local book binders

Design for book cover

Design for book cover

sculpting the inevitable

I am chasing my own tail testing competing paper stocks, pastel against parchment, watercolour against card, 150gsm against 240gsm. The vision is to showcase the final work in a self published book but finding the right paper is difficult. The success of the book dictates a keen eye to match content with colour and texture with mood. Daler & Rowney produce the perfect papers for the task with their Canford Snow White & Coffee. The paper can be found at Fred Aldous http://www.fredaldous.co.uk/shop-online/canford-paper-a4.htm for a fairly competitive price.

The book is the final product of a project not yet complete. I have previous images to allow the process to begin though these will not be used in the final piece. The idea is to remove the hurdle of trial and error that so eagerly consumes a book maker’s time, so that more energy can be focused on the books content.